Of course, it helps that Mann is at a peak in her craft, creating songs that are not only beautifully melodic, but musically and lyrically rich. ![]() 2, the way they flow and play off of each other makes Magnolia feel like a unique, individual work. They feel like a miniature album, and while some of these tracks are on Bachelor No. True, some of the songs are a few years old, but this is their first release, and each of her nine songs for the film seamlessly fit together, achieving a perfect blend of musical and lyrical tone. ![]() ![]() For Aimee Mann, the soundtrack to Paul Thomas Anderson's Magnolia was her first opportunity to release new material since 1995's I'm With Stupid.
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